Composer’s Note:After having written Chris Ladd a guitar concerto, I’d wanted to continue the collaboration with a chamber work. Once he teamed up with Asa Gudjonsdottir, I began to consider the medium of violin/guitar duo, and an inconic sound immediately came to me: sustained but sizzling violin tones, surrounded by sonic flecks from the guitar. The image is like that of aflame, throwing off sparks.That in turn led to an association: the aria from Handel’s Messiah, “Who May Abide the Day of his Coming”, which has a recurrent fast section beginning, “For He is like a refiner’s fire…” I’ve always loved this song, and so I set out to do something I’ve not attempted for a while, i.e. to make a piece based on a pre-existent work. The Handel is a source from which motives and harmonic progressions are drawn, but it’s not quoted (except for a crucial fragment in the last bar).The piece was written in a far more intuitive manner than many of my works from the last couple of decades, though it does still keep in mind a “deep” harmonic background of the overtone series emerging from a low D.