By Ron Miller

The goal ofModal Jazz Composition & Harmony, Volume 2is to continue the dissemination of information that presents a path of study for the aspiring jazz composer. WhereVolume 1of the book emphasized the preparation of a modal harmonic foundation, this volume will introduce concepts of melody writing and a study of the styles of jazz compositions that are an intrinsic addition to the contemporary jazz composer’s repertoire. Also included are chapters on harmonization and reharmonization techniques—as many of the concepts presented reflect an influence of Gil Evans, Duke Ellington and Charles Mingus as well as those of Herbie Hancock—and on pentatonic tunes that are harmonized with a modal harmonic foundation. As withVolume 1, an appendix with additional peripheral information is included for the student desiring theoretical explanation and additional examples.

Titles: Chapter I: Melody * Chapter II: Reharmonization * Chapter III: Pentatonics * Appendices.