byElliott Schwartz

byBarney Childs

byJim Fox

This anthology of essays, interviews, and autobiographical pieces provides an invaluable overview of the evolution of contemporary musicfrom chromaticism, serialism, and indeterminacy to jazz, vernacular, electronic, and non-Western influences. Featuring classic essays by Stravinsky, Stockhausen, and Reich, as well as writings by lesser-known but equally innovative composers such as Jack Beeson, Richard Maxfield, and T. J. Anderson, this collection covers a broad range of styles and approaches. Here you will find Busonis influential Sketch of a New Esthetic of Music; Partchs exploration of a new notation system; Babbitts defense of advanced composition in his controversial Who Cares If You Listen?; and Pauline Oliveross meditations on sound. Now updated with fifteen new composers including Michael Tippet, Gyrgy Ligeti, Gunther Schuller, Ben Johnston, Sofia Gubaidulina, and William Bolcom, this important book gathers together forty-nine piecesmany out of print and some newly written for this volumewhich serve as a documentary history of twentieth-century music, in theory and practice. Impassioned, provocative, and eloquent, these writings are as exciting and diverse as the music they discuss.